Textile Study Group

artists and tutors sharing ideas imagination and skills

Shelley Rhodes

textile

Stitched detail

textile

Screen printing

Work in progress

textile

Screen printing

Work in progress

textile

Etching on fabric

textile

Etching with stitch

artwork

Sketchbook pages

Artist statement

For many years I have been inspired by surfaces affected by aging, weathering and degeneration. My recent work focuses on what happens to a surface through wear and tear, manipulation and distress. Erosion and handling softens the image and colour and breaks the surface down. How far can this be taken? And at what point does it become beautiful or intriguing? Does it ever? Or does it just fall apart?

I like the idea of fragmentation followed by reconstruction. I enjoy the selection process of rearranging and reassembling small elements to make a whole. I am currently exploring ways of 'fixing' and 'repairing'.

My mixed media work combines paper, drawings and prints with painted and dyed fabric. Sometimes, I incorporate found objects, pins, staples and wire. The work is built up in layers with the stitch sometimes becoming embedded in the piece. I use very simple hand and machine stitches to enhance and emphasize areas. I use the needle and thread as another mark making tool or as a joining mechanism.

I enjoy travelling and my work is often influenced by places I have visited. I am excited and inspired by architecture and landscape where I am often drawn to the tiniest detail.

I am constantly drawing and recording. I like the freedom and spontaneity that working in sketchbooks brings. My little sketchbooks are my visual diary, as well as a place to explore, experiment and work through ideas.

I am a member of the Embroiderers' Guild and of Green Door Studio Artists. I teach workshops from my own studio and other venues across the country.

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