Textile Study Group

artists and tutors sharing ideas imagination and skills

Alice Fox

textile

Pavement Piece #20 detail

Silk, cotton, wool felt, rust print & collagraph print using found objects, hand stitch. From Gifts from the Pavement.

textile

Pavement Piece #22 detail

Silk, cotton, wool felt, rust print & collagraph print using found objects, hand stitch. From Gifts from the Pavement.

textile

Spurn Cloth #1 detail

Silk, rust dyed using beach-combed metal, wool felt, hand stitch. 4.7m x 0.7m.

textile

Spurn Cloth #2

Linen and ramie, rust dyed on location using sea defence structures and seawater, collagraph print using found objects.

textile

Tide Line detail

Tapestry weave in cotton, beach-combed metal, sea water.

book

Tide Marks Book #49

Artists Book. Paper, rust print, collagraph print, hand stitch in cotton.

Artist statement

My practice brings together recording, collecting and interaction with the landscape.  I have always been fascinated by the detail of organic things and the work that I produce celebrates and carries an essence of what I experience in the natural world. I aim to draw the viewer in, invite them to look closer and notice things they might otherwise have overlooked.

Much of my work is based on experiences of coastal landscapes. The beach and its hinterland can be the richest source of experience and discovery. Through the cycle of tides and weather it collects daily treasures and detritus by turn, providing a visual and tactile adventure. My starting point is usually walking, recording my experience through words, sketches, photographs and collected items. I notice lines, patterns, shapes and textures. I try to capture small changes: the way material is moved about by the elements. Wherever I am I take a beach-comber's approach, found objects providing a tangible link to the places I've walked.

I work with natural fibres (paper, cloth and thread) and use natural dye techniques, print, stitch and weave in different combinations. My work develops through layering up marks and textures, building up subtle surfaces and structures that combine the textural qualities of textile and printmaking processes. Found items, their identity often a mystery because of the action of the elements, form the focus of my response to a landscape.

I am concerned with embodiment of the landscape rather than direct representation. Each piece can be seen as a small record of a walk: a journey or moment from a journey. The works I produce are contemplative and quiet, but look closely and you'll discover there is complex activity; patterns can appear both random and organized. Look again and there is something new to discover.

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