Patchworking Motherhood

Patchworking Motherhood

The Textile Study Group offer a biannual award of £1500 for a Star Project Emma McGinn shares her experiences in this 3rd and final blog- of her award winning Star Project.

I’m pleased to share that the Patchworking Motherhood project came to a successful close just before Christmas. Five of the six participants were able to complete their patchworks within the project timeframe. One participant, who experienced a few barriers to attending the weekly sessions, has chosen to take her patchwork home to carry on in her own time. 

The final few weeks saw a slight change in atmosphere and pace as the focus turned towards completing individual projects within the timeframe. So as not to pressure the participants, they were each given the option to aim for a patchwork blanket/play mat or a wall hanging. The wall hanging being the less prescriptive option. The group were shown examples of each, along with various options for hanging and displaying textiles. 

Each participant was keen to make a quilt, so plans were made to map out everyone’s steps to completion. The room during these final weeks felt electric and full of energy, in contrast to the calm and introspective early weeks. We finally made use of the sewing machine, using it to hem quilt edges. In true form the machine caused more trouble than it was worth, jamming and knotting up just as I was thinking it would save us time. But we got there in the end, with five wonderfully unique and personal patchwork blankets.

During the final couple of weeks conversation in the group started looking towards what might come next. A few participants have been exploring opportunities to continue engaging with craft activities through courses and other groups. Two participants have started their own personal craft projects since the course has ended. 

At the beginning of the course Fiona set up a private WhatsApp group (Fiona and I were members of this group during the course, but have since removed ourselves), this has given the participants an opportunity to keep in touch beyond the course, they have been keen to see the group remain open and are currently planning a first meet-up. 

We are grateful to all the participants and support staff for their enthusiasm as they all contributed to making the project a great success.

Final reflections..

Last month, Fiona and I met to share our final reflections on the project. Thanks to the Textile Study Group funding, we were able to design and deliver an eight-week course of two hours per week, with six participants and their babies (although not every participant was able to make it each week). 

During the planning and budgeting phase, Fiona and I had considered numerous options, including running the group for longer with less childcare support, considering different session lengths, timings and locations. 

We made the right decision to hold the group in a private room in a library. The space was clean, airy, bright, easily accessible and private. Although the cost of the room was more than we had budgeted, savings elsewhere allowed us to accept this cost.

Our biggest saving was in materials, we spent less on fabrics than expected thanks to sourcing fabrics from the scrap store and donations, plus with the smaller group size we saved on the cost of wadding. I’ve included a summary of the spending for your review in a separate excel document. 

I was very fortunate to partner with Fiona with the support of Dorset Perinatal Mental Health department, this project would not have been possible without her commitment and energy. The salaries for myself plus two carers accounted for most of the project budget. It was the salary costs translated into hours that ultimately dictated how many hours we could run the project for. But we agreed that it was the right decision to bring in paid care workers as opposed to volunteer helpers for example as this offered peace of mind for us all.

Our initial proposal had accounted for a participant group of up to ten people with babies. In retrospect, this would have been extremely ambitious. Even with the participant numbers as they were, all staff including myself and Fiona were required to help with babies most weeks. This meant that there were only a few occasions where Fiona and I were able to stitch alongside the group. At times this limited my ability to move around the room to offer sewing support, but it also broke down barriers as there was a sense that we were all in it together. The babies seemed to enjoy moving around the room, watching the colourful fabrics and engaging with the people in the room.

It would have been nice to have more carers, to run the sessions for longer (three hours rather than 2), and to stretch the course over ten or even twelve weeks. But any of these would have increased the costs beyond what we had available. 

Overall Fiona and I are extremely happy and proud of what we achieved. To be able to offer the course free of charge to participants (with free childcare) felt extremely important and special. The feedback from participants says it all:

‘The Patchworking group has been such a wonderful break from the challenges of everyday parenting. The facilitators are wonderful kind, compassionate, and supportive women, creating a warm and welcoming environment where it feels safe to ask for help. I started attending when my daughter was just a few months old, and it felt like the perfect place to take a little time for myself whilst knowing she was being cared for nearby. I don’t think I would have ever allowed myself the time to create something at home, so I’m incredibly grateful for the chance to be part of such a special and nurturing group.’ Patchworking Motherhood Participant

‘It is great that there are such caring ladies on hand to help look after babies as it really means we can all have some much-needed calm, quiet and focused time on what, for me, has become a new hobby! Each week, I am feeling an ever-increasing sense of accomplishment which certainly helps to facilitate good mental health and I’m excited to see my final patchwork creation! The homemade cake and tea (which we get to drink before it gets cold) is also a welcome bonus. I wish every parent got this weekly moment of tranquility that ‘Patchworking Motherhood’ brings!’ Patchworking Motherhood Participant

‘The overall atmosphere was very warm and inviting. Even if you don’t feel ready to partake in conversations there is no feeling of awkwardness as you can just lose yourself in your sewing. All whilst knowing that your little one is being well taken care of near you so you can feel like yourself again with a hot drink and delicious treats.’ Patchworking Motherhood Participant

We had considered ways that we might gather weekly responses from the group as a way to document the sessions. We didn’t want it to be too laborious and so came up with the idea of a patchwork of words. Each week participants were invited to add a word to the patchwork. Here is the final patchwork:

Fiona has turned this into a word cloud which is lovely:

Next steps

Fiona and I have been discussing ways that we might continue this work by exploring funding options and alternative support. We will be putting together a proposal in the coming weeks with the aim to apply for funding to set up and run three similar Patchworking Motherhood courses across Dorset.

I am also considering developing a paid version of the course, open to all mothers/parents in the community. This would look slightly different to the Patchworking Motherhood course we have developed. I am in the process of scoping out how it might work so watch this space.

Engaging in this project has been extremely rewarding for myself and Fiona. Its been an honour for me to work with Fiona and the participants, who made the group a success with their positive and open minded approach. Being part of a community who meets weekly to stitch has reminded me that there is so much power in making together. I have also been able to use this time to immerse myself in the topic of patchworking, helping me to reflect on my practice-based PhD.

Emma McGinn

Summer School 2025

Summer School 2025

The theme for our 2025 Summer School is Materiality.

This is a residential summer school tutored by Textile Study Group members and open to everyone with workshops led by Textile Study Group members Alice Fox, Sue Green and Mandy Pattullo

Summer school is held each July at Hillscourt Hotel, Rose Hill, Rednal, Birmingham B45 8RS.
Monday 14 – Thursday 17 July 2025.

The three workshops will use materiality as the springboard for the creative process. It will be an opportunity to play with materials gathered, explore the touch and feel of old fabrics and experiment with deconstruction and reconstruction ideas.

Your experienced and inspirational tutors will guide and support you in developing your ideas and creating a fun and exciting experience. Choose from the following three workshops:

Here and Now with Alice Fox: The detail that surrounds us can be fascinating, if we just allow ourselves to take it in. This course aims to open our eyes to what is around us, finding the potential in the ordinary. Led by the place and the material available, an experimental approach is encouraged. With a focus on objects and marks collected on short walks from the studio we will explore different techniques, making use of what we find and exploring ways of developing visual ideas on paper and cloth. This will be a chance to explore some alternative approaches to mapping, developing individual personal records of place.

Unmaking-Remaking with Sue Green: This course will explore the concept of ‘unmaking’ using cloth to retell new narratives. Experimental print and stitch processes will be explored responding to traces and memory.

Students should bring along an item of cloth or clothing with a personal connection but not something precious as it will be taken apart to reveal the hidden stories within and used to print from.

Outcomes will be facilitated through individual discussion and will form a series of samples to further develop independently.

Textile Collage with Mandy Pattullo: This gentle hand stitching course encourages you to bring together your own stash of old fabrics, lace and garments, that may be flawed through wear and tear, and transform them through textile collage techniques to find in them a new beauty.

Together we will deconstruct, layer and rearrange materials to create patchworked surfaces, which will be enhanced with stitch. You will develop a personal stitch language which might be based on pattern making with traditional stitches, refer to stitch conventions of other cultures or invent new ways to draw with stitch on to fabric.

Full details are all available on our website and bookings open on 14th October.

Summer School 2024

Summer School 2024
Each July we run a Summer School led by a rotating trio of tutors from our membership.
This year our Summer School theme was ‘Travelling Lines’ with tutors Jane McKeating  , Polly Pollock   and Janet Edmonds .
We’ve gathered together some reflections from our tutors on this year’s event.

Janet tells us:

“I was pleased to be able to stand in for Dorothy at short notice. The students were all very accommodating and understood that life happens and changes have to be made.

I planned a course that fitted as well as possible with Dot’s requirements list.

We made zig zag books and filled them with a range of different marks bearing in mind the overarching theme of ‘Travelling Lines’: Lines of communication between people, railway lines, phone lines, Ley lines; lots to choose from.  Many students chose pathways through countryside and referenced their own neighbourhoods. 

We used a variety of tools to draw lines that extended across the paper. Students made their own brushes and tried drawing with spaghetti in addition to the more usual pens and crayons. Small areas were selected through a view finder to interpret into stitch.

There was a good atmosphere amongst all participants and everyone intermingled with other groups during breaks and at meal times too.”


Polly explains:

“It was exciting, but also a venture into the uncertainty of teaching a basketry course to students who usually enrol on textile courses. The group I worked with were so open to exploring something new, learning fresh skills and working with unfamiliar materials. We spent the first two days working in a fairly structured way, while thinking and talking about how each student felt they wanted to take this forwards.

It was so interesting and inspiring to see how each person brought something of themselves and their interests to what they chose to work on over the remaining two days in a way in which was most relevant for them.    

Not everyone completed what they started during the summer school, but since going home these students completed their work and sent me photos, which is so rewarding that they were enthusiastic enough about what they’d started to go home and finish it. Several students have emailed to say what they want to do next, and sent photos of what they went home and made after the course.”


Jane’s thoughts:

“My group of 16 were looking at how we narrated journeys through drawing and textiles. All came prepared with an idea of a journey they wanted to explore, and these ranged from exciting international trips, inspiring walks down their own gardens, and personal family journeys. We explored these through both observation and imagination, using collage, simple print and hand stitch and each of the participants created a series of small works – supported by myself and the group to explore their own ideas.

We had a wonderful mix of first-time participants and two members who had been attending Summer School for 34 and 38 years. We also had several international members. This mix gave the group a really special quality, so great discussions and support was felt by all of us. The room was busy with activity from early in the morning till late at night and the range and quality of work produced was very creative and innovative. Everyone arrived a very personal solution to capturing their journey while contributing to a great group dynamic.”

Thank you to our three tutors and all our enthusiastic students.

Details and booking for our 2025 summer school will soon be available on our website.

Introducing Vivienne Beaumont

Introducing Vivienne Beaumont

Introducing Vivienne Beaumont as our most recent Textile Study Group member.

Vivienne originally studied Fine Art and has been an art teacher for a long time. She became increasingly interested in textiles, thanks to courses at Westhope College in Shropshire, which led to her being awarded a medal of excellence from City and Guilds. In 2019 she retired from teaching to do an MA at Hereford College of Art and she haven’t looked back since.

Vivienne found her artistic identity using symbolism, cloth and thread. The ephemerality and cyclical nature of life is at the core of her textile practice. she uses archetypal imagery to convey collective emotions, referencing the figurative, the mythological, nature, and the theme of transformation. Harvest, seeds and pomegranates represent both life force and loss. She likes to explore the commonality between us and also the cultural collective memory. She uses machine embroidery and print to tell personal and universal stories.

Drawing and design are key to Vivienne’s practice. She always starts with a drawing, which is often develop with Photoshop. She transfers her designs onto fabric with printing methods and enjoys the serendipity and creativity that occurs when handling the cloth.

Vivienne is also a member of the exhibiting Textile group Prism and The Society of Designer Craftsmen. She regularly exhibits at Spencer House Gallery in Tetbury.

Image that appears to be Little Red Riding Hood, surrounded by trees, with a Wolf standing next to her. To the right are images of scissors and cotton reels. The artwork is created in fabric and stitch.
The Edge of the Wood, Vivienne Beaumont