An evening in London

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At the start of May, two of our members, Dorothy Tucker and Sheila Mortlock, attended this year’s presentation for the Embroiderers’ Guild Beryl Dean Award for Teaching Excellence in Embroidery and Design. The event took place in St Margaret’s Church, Lothbury, in the City of London right behind the Bank of England. It’s a lovely church and well worth a visit. It shows up in records dating from the 12th century although it was destroyed in The Great Fire of London and subsequently rebuilt by Sir Christopher Wren. There is fine woodwork throughout and the church serves the financial area of London.

The Beryl Dean Award is in its third year and was started in the name of Beryl Dean to recognise the very best of teaching in embroidery. The invited guests were welcomed by the event’s host Andrew Salmon who introduced Muriel Campbell, Chair of the Guild and then last year’s joint winner Debbie Gonet who talked about the pleasure she gets from working with young students just starting on their textile career.

Anthea Godfrey, Artistic Director of the Embroiderers’ Guild, spoke at length about the importance of design in embroidery, coupled with the technical skill, views echoed by many attending. She also highlighted her own and the Guild’s concerns about recent announcements from the Department of Education who seem intent to reduce the teaching of art in schools. It was tempting to quote Winston Churchill during the early days of the last war when asked to cut funding to the Arts “Then what are we fighting for.” Whether that particular quotation is apocryphal or not it is surely a proven fact that everyone benefits from engagement with the creative arts.

The Beryl Dean Award this year was presented to Hannah Maughan, a lecturer at Falmouth University where she teaches textile design. Hannah studied at Birmingham and the Royal College of Art, specialising in embroidery and mixed media. There were also two Commendations this year. Carole Holme was commended for Embroidery Technique and Sonia Tuttiett was commended for Inspiration in the Community. Carole, Carole Holme specialises in Goldwork and Sonia, Sonia Tuttiett works with disadvantaged and other groups in the East End of London.

Before everyone moved to enjoy the splendid buffet Diana Springall spoke and presented a book to the winner. A lovely evening and a great event.

What makes working as a group so exciting?

Working in a studio with other people is quite special. There is the focus you have from the directions of the tutor, the learning about new materials or techniques perhaps, the friendships you make, even just for the brief time you are together, but often these can endure beyond your workshop. However the most precious part of being at a residential workshop is TIME. We all live in a constantly busy world and to have the chance to develop our interests, or passions?, without worrying about everyday things, is a delight. Historically textiles have been produced by groups, of women usually but not exclusively, think of the Gees Bend women or the many groups of ethnic makers around the world. It is something of that fruitful collective endeavour we see at workshops.

The time spent in a workshop can be rewarding on many levels. Creatively it may give a new direction to your work, or unblock a log jam of ideas through discussion and tutor feedback, and you will have good fun at the same time.

This gallery of images are from Mary Sleigh’s 2015 Summer School but if these images whet your appetite to join the group in York this year then take a look at the information on our website.

An institution – the TSG Summer School

Since the group began, the highlight of the year for TSG members and the many students who over the years have attended courses, is the Summer School. In a busy world it’s wonderful to have the chance to indulge an interest uninterrupted for a few days and at the Summer School students can enjoy the chance to have an extended period of working with the best textile tutors in the country. Last year’s Summer School was held at Farncombe, in the Cotswolds, and as you can see from the gallery of images taken in Shelley Rhodes’ workshop, the hard work produced exciting results.

There is a change of venue for the 2016 Summer School. This year we will be meeting in York and the tutors are Alison King, Bobby Britnell and Sheila Mortlock. The Summer School is titled Drawn Together and Bobby, Alison and Sheila are approaching the topic from different points of view. They are offering a wonderful melting pot of ideas: ways of working, getting all those ideas out of your head and making them real. You will have opportunities to explore ways of recording and developing your ideas, some of which may be new to you. Within a supportive and encouraging atmosphere this year’s Summer School aims to help students to widen their horizons and create an exciting few days of new possibilities for everyone.

If you would like to know more about this year’s Summer School please look at our website where you will find all the information you need. See you in York!

Textile Study Group